‘In July, Weeds Take Over the Garden’ [is a] beautiful poem about loss and change. So much is learned from what is not said (and only implied). Great use of a minimalist aesthetic and the enjambment of the lines works well as well. The last line about the raft being built to float on the river is a stunner. Beautiful work! Look forward to reading more from this new to me poet.
— Jose Hernandez Diaz

Books:

My mini chap I Will Write a Love Poem is came out with Porkbelly Press in December 2023 and is available here. My chapbook Rupture was published by Gold Line Press in January 2024 and is available here.

Recent Publications:

My essay So, I Lied—the Chapbook as a Coherent Container at Write or Die magazine, March 2024

I was interviewed by The WildStory podcast about my chapbook Rupture, February 2024

My essay The Uses of Anaphora in Jason Schneiderman’s Poems “Star Dust” & “Anger” in Cleaver Magazine, October 2023

My series of poems won the 2023 Radar Coniston Prize, judged by Ellen Bass

Barbie—Not Real, but not Fake Enough Either at the Literary Mama blog, October 2023

Poet and Editor Balancing Single Mom Life and a Grad School Residency—Writer Diaries at Write or Die, July 2023

My poem “I Will Write a Love Poem (I thought the baby bunnies” was named a Highly Commended Poem for the 2023 Gingko Prize

Diagnosis Summer” in The Baltimore Review, spring 2023

Music, Pink & Blue No. 2 by Georgia O'Keeffe” in Under a Warm Green Linden, summer 2023 issue//Being America

“Ars Poetica” and “Someday I’ll Forgive Us Both But Not” in The Champagne Room, Summer 2023, issue 3

Birth of an Editor: Interning at Perugia Press guest blog post, April 2023

“Aubade” in EcoTheo Review, Winter 2022

“For My Love, Who Loves Pears” and “untitled” in Papeachu Review #5: Comfort, Winter 2022

I was interviewed for Episode 50 on The Chapbook podcast with Noah Stetzer and Ross White of Bull City Press

“Rupture” in the anthology Secrets, Rumors & Lies from Anhinga Press, 2022

“Near Solstice,” “There is a holler,” and “In the Liminal” in the anthology haunted from Porkbelly Press, 2022

flare” on Poets.org, winner of the 2022 Anne Bradstreet Prize

When I am a River” in Moist Poetry Journal, December 2021

“The Flower is Haunted By” and “The Knife, Sharpened” in The Night Heron Barks, fall 2021

“I will make a study—again—,” “Separation,” “Swaddle,” and “Every Villain Is the Hero of Their Own Story” in Nimrod Awards 43, Fall/Winter 2021

In July, Weeds Take Over the Garden” in Muzzle October 2021

Cultish’s Exploration of Manipulative Language” in the Ploughshares blog, October 2021

Aubade" in Underblong October 2021

From ‘I’ to ‘We’ in Winter and Refugia” in the Ploughshares blog September 2021

Yes” in The Rail May 2021

The Un-Cure” in Giving Room Mag May 2021

Every witch and mortal knew” in Dark Matter: Women Witnessing March 2021

The Anthropocene” in Witness fall/winter 2020

“How Are You” in Rise Up Review fall 2020

“Wasps” in Plum fall 2018

Radiant” in Poetry Breakfast October 2016


Where she writes “The seasons / are coming loose,” we caught a glimmer of what would become the present predicament; Rose’s work made us aware of the long-standing balance between our intrinsic connection to time, routine, and our understanding of things, and the impossible and absolute isolation we would face in days ahead–this poem an ode to the confusing role we play in this new era of human activity, dangers that we didn’t know abound.
— Witness Magazine